Shooting Harman Phoenix From Both Sides with a Lens Splitter
After the last time I shot Phoenix from both sides, I knew that’s what I wanted to do with the...
FPP Sun: What I Learned Shooting the Slowest Color Film I Could Get My Hands On
We’re about a month away from my first film-iversary at the time of drafting this. If it seems like I’ve...
Street Savvy and Other 400-Speed Cryptids, Old and New
In my last post, I talked about how I loved Street Savvy’s colors and level of detail more than enough...
FlicFilm Street Savvy 400: My Beautiful, Slightly-Problematic Fave
I know I love (almost) every film stock I try. But Street Savvy is special. Some of this post will...
Into the Darkness: Messy but Improved Night Photography
I posted not too long ago about my first, rather messy, attempts at night photography. Since then, I’m happy to...
My First Roll of FPP Low ISO Color
After venturing into single-digit-ISO film, I wanted to try something below the limits of what my Elan 7 could meter...
FPP Color 125: Secretly Aerocolor, Or Just Close Enough?
A deeply unscientific comparison of FPP Color 125 and FlicFilm Elektra 100 (aka Aerocolor IV).
KONO! Donau II: Low ISO, High Contrast
My first roll of KONO! Donau II. Long exposures, wide apertures, and lots and lots of blue.
One Final Star Projector Post
One final go at faking Dubblefilm Jelly, complete with real light leaks!
Harman Phoenix 200, Exposed from Both Sides
Shooting both sides of Harman Phoenix 200 in 35mm - straight up, then redscale.